I've finally achieved consistency in my life. Any person of average or above intelligence can predict what I will say next with unerring accuracy. And what I say will always be wrong.

Friday, February 01, 2008

[CanYoAssDigIt] Fwd: The "Great Mystery" of Iraq's WMDs?

Orwell would be amazed.

Yes, why didn't Saddam stop the US from invading?  Why didn't Sharon Tate convince Charlie Manson she was no threat to him?  Why did she want to be murdered?  How about those Armanians?  What masochistic desire on their part lead them to not prove they didn't have weapons of mass destruction and thus save themselves from the Turks?

It just goes on and on and on, doesn't it?

---------- Forwarded message ----------
From: FAIR <fair@fair.org>


http://www.fair.org/index.php?page=3255

Action Alert

The "Great Mystery" of Iraq's WMDs?

CBS ignores evidence from its own show

2/1/08

A January 27 report on CBS's 60 Minutes attempted to answer what CBS reporter Scott Pelley claimed was a key mystery of the Iraq War: Why didn't Saddam Hussein tell the world he had no weapons of mass destruction, and thus avoid the U.S.-led invasion? But if Pelley had been watching his own network's exclusive interview with Hussein on the eve of the war, he would have known that Hussein did exactly that.

"For a man who drew America into two wars and countless military engagements, we never really knew what Saddam Hussein was thinking," Pelley declared at the opening of the segment, which was based largely on the account of George Piro, the FBI agent who interrogated Hussein. Piro's team, according to Pelley, was "trying to answer some of the great mysteries of recent history. What happened to the weapons of mass destruction? Was Saddam in league with Al-Qaeda? Why did he choose war with the United States?"

The question of Iraq's missing weapons were answered in this exchange:


PELLEY: And what did he tell you about how his weapons of mass destruction had been destroyed?

PIRO: He told me that most of the WMD had been destroyed by the U.N. inspectors in the '90s, and those that hadn't been destroyed by the inspectors unilaterally destroyed by Iraq.

PELLEY: He had ordered them destroyed?

PIRO: Yes.

PELLEY: So why keep the secret? Why put your nation at risk? Why put your own life at risk to maintain this charade?

Pelley continued in this vein, asking: "As the U.S. marched toward war and we began massing troops on his border, why didn't he stop it then? How could he have wanted his country to be invaded?"

This bizarre scenario in which Saddam Hussein "wanted his country to be invaded" and decided to "choose war with the United States" was spelled out most clearly in the online version of 60 Minutes' story, which asserted: "Saddam still wouldn't admit he had no weapons of mass destruction, even when it was obvious there would be military action against him because of the perception he did."

In fact, far from not admitting that he had no weapons of mass destruction, Hussein and other Iraqi officials continually stated that they had no such weapons in the months before the invasion. One of the clearest such statements came directly from Hussein on Pelley's own network, when CBS anchor Dan Rather scored an exclusive interview with Hussein that aired on 60 Minutes II on February 26, 2003. Hussein told Rather that Iraq was permitted to have missiles of a limited range under existing United Nations resolutions. As for weapons of mass destruction, Hussein offered a clear response:

RATHER: Saddam also rejected Bush administration allegations that besides the missile delivery system, he still has weapons of mass destruction.

HUSSEIN: I think America and the world also knows that Iraq no longer has the weapons. And I believe the mobilization that's been done was, in fact, done partly to cover the huge lie that was being waged against Iraq about chemical, biological and nuclear weapons. That is why, when you talk about such missiles, these missiles have been destroyed. There are no missiles that are contrary to the prescription of the United Nations in Iraq. They are no longer there.

Hussein explained that Iraq "was empty, was void of any such weapons," but that his government accepted U.N. resolutions "in order to make the case absolutely clear that Iraq was no longer in possession of any such...weapons." U.S. reporters treated such statements as patently false.

CBS's Bob Schieffer (12/8/02) remarked of an earlier disavowal of banned weaponry by Hussein, "Saddam Hussein says he has no weapons of mass destruction, but should we believe him?" Schieffer asked a visiting senator on Face the Nation what would happen if U.S. experts "conclude that Saddam Hussein is once again lying, as he has so often in the past.claiming he doesn't have the weapons, when in fact we know that he has."

Before the invasion, CBS's line was that Iraq was hiding prohibited weapons, and Saddam Hussein was lying about it. Now it maintains that Iraq did not have those weapons...and Saddam Hussein was lying about it. Is it really too much to ask that the network look back at their own coverage of five years ago before announcing that it's solved one of the "great mysteries" of that era?

ACTION:

Please ask CBS to correct the network's inaccurate claims that Saddam Hussein wouldn't admit he had no weapons of mass destruction" and that he kept the nonexistence of such weapons a "secret"--assertions that are disproved by CBS's February 2003 interview with Saddam Hussein.

CONTACT:
CBS 60 Minutes
Email: 60m@cbsnews.com
Phone: (212) 975-3247
picture of 60 minutes(Listen to audio clip of CBS's report on Saddam Hussein and WMDs. AIFF/WAV)

picture of saddam on cbs
(Watch 60 Minutes II's interview with Hussein.
QuickTime/YouTube.)



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Wednesday, January 30, 2008

[CanYoAssDigIt] Re: [midkar] Pretenders: Angel of the Morning seq Bill Sandy

Let's hear it for Merilee Rush, from my hometown of Wenatchee, WA, yee hah!

Wenatchee was also the home of Danny "good time charlie's got the blues" O'Keefe and Dan Hamilton of Hamilton, Joe Frank and Reynolds who had the early 70s hit "Don't Pull Your Love (Out)"

Wenatchee is a great place to leave!

I mean, to be from!

On Jan 30, 2008 5:52 PM, Wild West <wild_west2@verizon.net> wrote:
Very nice!!

"Angel of the Morning" is a hit pop song, charting twice for two different American female artists. The tune was originally released in 1968 by the American singer Merrilee Rush and her band, the Turnabouts. A higher-charting (and larger-selling) version in the United States was later released by country-rock chanteuse Juice Newton in 1981.

Written and composed by New York-born songwriter Chip Taylor, it was originally recorded by Evie Sands for Cameo-Parkway Records in 1967, but the record label went bankrupt, stranding the song in limbo. A representative from publishing company April-Blackwood pitched the song to Memphis producer Chips Moman and Merrilee Rush, who then recorded and released it successfully the following year. P.P. Arnold also had a hit with it in the UK the same year. A further version is sung by Billie Davis. Mary Mason also had a UK Top 30 hit with her version ("Angel of the Morning - Any Way That You Want Me") in 1977.


Meaning

In the song, the narrative voice addresses a lover. The song is sung from the perspective of a woman and it tells the story of two people carried away by passion knowing that there will be regret and consequences the next day. The song was inspired by the song "Ruby Tuesday" by The Rolling Stones and it echoes that song lyrically and melodically.

The opening line of the song is "There'll be no strings to bind your hands, not if my love can't bind your heart." In that line, and throughout the song, the narrator tells her lover that it is all right if he leaves (presumably after love making) although she is clearly conflicted about it and wants him to stay. The narrator then tries to convince her lover that he should stay despite the potential consequences. The lyrics are unusual (for the time) because they contain such a frank portrayal of female sexuality told from a woman's perspective.

Whether the song takes place in the context of a one night stand or an ongoing affair is not specified in the lyrics. Why the lover must leave before daybreak is also not specified, although it is implied that doing so would help to keep the affair secret. The song can be seen as an anthem of liberation and defiance wherein the narrator challenges her lover to see her as a human being free to express her sexuality despite social consequences. It can also be seen as the story of a woman who has engaged in an ill-conceived and self destructive affair. This duality is at the core of the song and is reflective of the conflict felt by the narrative voice. The song ends with the line "Just touch my cheek before you leave me, baby." It is clear from this that narrator believes, hope against hope, that her lover will, indeed, leave.

Cover versions

Jamaican singer Joya Landis recorded a early reggae version of this song in 1968. The Jamaican single was on the Treasure Isle label. The UK single (on Trojan TR 622) had Love Letters by Phyllis Dillon & Alton Ellis on the b-side. It also appeared on the compilation album Soul Of Jamaica a.k.a. Come Rock With Me In Jamaica, 1968 and on the Trojan compilation album Tighten Up, Volume 1, 1968. It was produced by Arthur Reid.

Nina Simone recorded the song in 1971 on Here Comes the Sun.

Juice Newton recorded a hit cover version in 1981 with further success, hitting #1 on the Billboard Adult Contemporary chart (for four weeks) and #4 on the Hot 100, as well as #22 on the Country chart. The recording also earned Newton a Grammy nomination for Best Female Vocalist - Pop. More than 1 million copies of Newton's single of the song were sold in the United States, and the single reached the Top Ten in a number of other countries, including Canada and Australia. Newton recorded the song again in 1998 on her "The Trouble with Angels" album.

In 1995, The Pretenders released their own version on the "Friends" soundtrack album. The song was released as a single as well, but it did not chart.

Chip Taylor, has himself also released a version of the song with his current singer/songwriter partner Carrie Rodriguez.

The short-lived British girl band Thunderbugs recorded a fresh, upbeat version of the song in their 1999 debut (and only) album, Delicious. As the Thunderbugs disbanded after the end of 1999, this version is by far the most obscure cover.

Reggae artist Shaggy released a single entitled "Angel" in 2001 that featured a reworked tune and

almost entirely new lyrics, turning it into an apology and homage to his lady love, instead of the original's tone of loss and one-night stands.

Swedish singer Jill Johnson released "Angel of the Morning" in 2007

Boston-based band Vagiant released a cover on their album Public Display of Infection.

Watch the real thing:  www.youtube.com/watch?v=O6YXISe1Fbs

Angel of the Morning

Words & Music by Chip Taylor
Recorded by Merillee Rush & the Turnabouts, 1968 (#7)
Repopularized by Juice Newton, 1981 (#4)

 D                Em7                 A7 There'll be no strings to bind your hands,             G          A9         D    Em7    F#m7   G    A9 Not if my love can't bind your heart.  D               Em7            A7 And there's no need to take a stand,             G      A9       D     Em7    F#m7   G    A9 For it was I who chose to start.  Em7                        A7    A7sus4   A7 I see no need to take me home;  Em7                         A7 I'm old enough to face the dawn.   Refrain:  D             Bm7         A7       G     A7 Just call me angel of the morning, An - gel,  D             Bm7              A7        G    A7 Just touch my cheek before you leave me, ba - by.  D            Bm7          A7       G    A7 Just call me angel of the morning, An - gel,  G     G/F#   Em       G/B     D  Em7  F#m7  G  A9    D  Em7  A7   G    A9 Then slowly turn away    from me.   D          Em7                A7                Maybe the sun's light will be dim                G      A9        D    Em7   F#m7   G    A9 And it won't matter an - y - how.  D             Em7             A7 If morning's echo says we've sinned...                 G     A9      D    Em7  F#m7   G    A9 Well, it was what I wanted now.  Em7                              A7   Em7                     A7 And if we're the victims of the night, I won't be blinded by light.   Repeat Refrain: 


Chip Taylor (born James Wesley Voight) is the younger brother of actor Jon Voight. Chip also wrote "Wild Thing", which was a big hit for The Troggs in 1966 and "I Can't Let Go" (co-written with Al Gorgoni), which was a hit for The Hollies (although it didn't chart in the Billboard Top 40 in the United States).
--  Best regards, Dan West    ===============================================|                  MIDKAR ===============================================| You Can Upload And Download Files Here!  http://groups.yahoo.com/group/midkar/ ===============================================|        Wild West's Music Studio ===============================================|  http://mysite.verizon.net/wild_west2/studio.htm  ===============================================|     

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Sunday, January 27, 2008

[CanYoAssDigIt] Olympia Devil's Dictionary

wacky daffynitions!

consensus building - peer pressure
Rainbow Coalition - In Thurston County, it's neither
respect - contempt
oppression - subjugation of people by the wrong overlords
dialogue - monologue
empowerment - encouragement for you to do what I want you to do.
right winger - anybody who slightly deviates from the party line
sensitive - me
intolerant - you

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