At our favorite local chain bookstore, they used to have a big, boxed-in section in the middle of the store devoted to CDs. Last time I was in, they've eliminated the whole thing they just have a couple of shelves now, with about as much selection as you'd find at Starbucks.
They've moved the music magazines to the lower shelves. They put the extreme fighting and physical culture magazines at eye-level.
I had to kind of awkwardly kneel down on the floor to get at the magazines... I picked up a copy of "Uncut" and "Classic Rock Presents Prog."
When I got to the checkout, I had a familiar feeling of unease and embarassment. I later identified it as the feeling I used to get when I was in high school, buying comic books.
I made a conscious decision when I started dating and courting popularity, to get out of comics and into rock music, because I didn't want to be a nerd anymore.
It was successful, and it worked for me for a long time, but I realize now that excessive prooccupation with rock music has become just another way of being a nerd.
I'm glad I didn't stay a prog fanatic, this stuff is as risible as heavy metal. But I kind of suspect that any genre of rock music will look at least faintly absurd if you look too closely.
Bob is right, people don't care much. He says it's the quality of the music. Sounds like old fart talk to me, I think music is better than ever. I think that market and technological and cultural forces are pulling musicians down off Mount Olympus, where we put them for a few brief, abnormal decades, and they are back in the service sector with cab driver and waiters.
It's probably better for society and the musicians themselves to not be viewed as superhuman..
What now? Do you know? I don't have a clue.
From: Bob Lefsetz <bob@lefsetz.
Date: Fri, May 28, 2010 at 2:23 PM
Subject: State Of The Industry
To: mattlove1@gmail.
People just don't care.
Every day I get e-mail castigating me that I've pissed on someone's favorite act, or haven't given enough coverage to another. I don't doubt that you like these acts, but what fascinates me is most people don't. Music is now niche. Kind of like knitting or needlepoint, but a bit bigger.
Maybe we'll spread the analogy to sports. Music is tennis. Gargantuan decades ago, most people just don't care today. Billie Jean King, Jimmy Connors, even McEnroe... Today we've got Federer and Nadal and I can't tell them apart and might turn on a match once a year, whereas I used to watch religiously. But now there are few stars. Few personalities. And on the men's side, the game has become so damn fast as to be something completely different, the same way music veered off into hip-hop and divadom and most people stopped caring. Sure, some people cared, but relatively few, otherwise Mariah Carey would be selling out arenas every night, and she's not, and a rapper other than Jay-Z could do 20,000 a night too.
Or maybe we should look at golf. There's one superstar, Tiger Woods, getting the whole nation golf-crazy, but if he's not playing, viewership drops dramatically. Sure, Phil Mickelson is a great golfer, but only golf devotees care about him, the average citizen might know his name and nothing more.
We're under the illusion that music is king, that it drives the culture, but it's not. Music has become the sideshow. Even on "American Idol"...does anybody expect Lee DeWyze to make it? We're interested in the comings and goings of Simon Cowell, not the contestants. Sure, music is featured on the show, OLD MUSIC!
And many people will go to hear old music live. But fewer each year at higher prices. After you've heard that famous act do its hits live, do you really need to go back? And the old acts are truly in it for the money, they've got no dignity, otherwise, why would they be shilling on TV, appearing on "American Idol"...I'm stunned they didn't lobby for a crawl with a link to tickets. Then again, everybody knows you go to ticketmaster.
This business will not be vital again until there's a stable of stars, hopefully a plethora that people follow and want to see. And it would be great if they had something to say, if they were three-dimensional. GaGa is a start. Sure, she's got train-wreck value, but people believe there's substance underneath, and it's not what you think, it's what they think. Then, who else?
Everybody else lives and dies on the hit single. If Christina Aguilera had fans, she'd be able to sell tickets without airplay. But she needs hits to get bodies into seats. In the old days, bands could tour without hits whatsoever. But that was back when music drove the culture, when you knew the players like sports team members, when you had to go to the show, when you were addicted to the radio.
The radio. And then MTV. They centralized focus. They delivered a platform for star-building. Someone left of center could get exposure and make it. Like Culture Club. MTV broke Boy George big, radio followed. But FM radio built Hendrix and Cream, the music was so exciting you listened every night. Because everyone was different, everyone was testing limits, everybody wasn't the same. And if you don't think everybody's the same today, try listening to Top Forty radio.
So where do we go from here?
Attention without substance is worthless. In other words, if you shoot someone, we'll all know your name, but soon we'll be on to the next headline.
The audience demands universality, something mainstream. And mainstream does not mean compromised, it means quality! Something so good that it cannot be denied! Do you really think people care about a black/Asian golfer? Of course not, what drew people to Tiger was his ability, his greatness! So you've got a band that you like, are they so good that you can drag almost anybody to see them and they'll like them too? If not, they're niche.
But, like I said, the whole business is niche. Labels believe if file-trading is stopped, an impossibility, sales will go up dramatically. I doubt it. People don't care about music that much, they're satisfied with free YouTube play. And certainly most people don't care about the individual acts purveyed...how do we get them to care?
It would be great if there were a Website, like Yahoo or Amazon or Google, actually more like the Huffington Post, to focus attention and build acts. But the site builders are only interested in money, not music, and therefore they focus on advertising, everything but the consumer experience. MySpace had a music focus, but its user interface sucked, still, how come every year there's a new Net phenomenon, Facebook, Twitter, Foursquare, and there's never one solely music based? Ever think about that?
The new Spotify is great, the social-networking elements trump iTunes, playlist sharing with instant listening ability is so cool...but it still doesn't solve the problem that we're lacking hit acts.
I don't want a world of endless niches. It's incomprehensible.
And the public doesn't want one either. Which is why sales are so damn bad. It's not like they just invented a new file-trading technique. No, most people can live without the music that's being sold.
You solve the problem the way you always have, with hit music. And the public doesn't believe today's music is full of hits. Their opinion, not yours. If you're happy in your private little backwater, salivating in front of the stage before your favorite niche act, fine. But you're not, because you keep telling everybody they should like your act too.
But most people are never going to like the Hold Steady, the National or the Black Keys. Never gonna happen. And the fact that you're a big fan and react to my point by going ballistic and e-mailing me does not solve the problem. I like "The Deadliest Catch", shouldn't you? No, that's too mainstream..
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